requestId:684c3e4473a4c5.80740686.
“Penchant” Four-sounding Separation and Ancient Four-sounding System
Author: Hu Jiajia Huang Yiqing
Source: “Beijing Teachers’ Major Research (Social Science Edition)”
Abstract:The “Pen Fu” uses the study of the four ancient voices, and there are four points to distinguish: First, the “Pen Fu” has the distinction between the necessary and non-essential sentences. The non-essential sentences are more likely to reflect the visual of the ancient voice (this article focuses on the sound) and the request for harmony is broader than that of the necessary sentences. The necessary sentences that do not revise can better reflect the visual of the ancient voice. 2. The same part of “Pen Fu” is skewed together, some have both the same part and the same voice, while others have different voices. In the appropriate and certain regular conversion, the same part of the disagreement is also a change that poets are interested in and should be regarded as the four-sound division. 3. Due to the reasons such as borrowing, derivation, and grammatical sound changes, some characters have multiple voices per word. According to the principle of corresponding pronunciation, they should distinguish their differences and different grammatical effectiveness to determine their actual voice in specific sentences. 4. In “People”, the sounds of flatness, upwardness, going, and going, and the sounds of yin, yang, and going are very different. The use of the sounds is clear, and the unsatisfactory nature of the development and development of ancient four sounds is clear, and the response of each sound is different. Based on the above four points, some new regulations and styles were discovered to distinguish sounds. On this basis, a four-sound database of “Penchant” was constructed, and the computer was used to analyze and calculate the use of 305 chapters, 1133 chapters, 1696 paragraphs, and 5308 sentences of the whole poem. The following data were obtained: Among the 4548 required sentences, 183 sentences were listed, accounting for 4.02% of all required sentences. The ratio of each voice to the cross-block is 2.27%, the upper voice is 5.42%, the higher voice is 16.71%, and the higher voice is 1.44%. The ratio of the three voices of yin, yang and rush is 5.88%, the sound is 3.29%, and the sound is 1.44%. In the sound of the sun, the ratio of the flat, upper and upper voices is 1.26%, 15.05%, and 17.86%. The sound of the voice and the sound of the voice can be at the early stage of perfect development on the four-sound system in the era of “People”.
Keywords: “Penchant”; quasi-sounding; ancient voices; pronunciation and meaning corresponding
Fund:The key research and development base of the Ministry of Education’s Humanities and Social Sciences “Han Linguistic Source Theory and Ancient Han Linguistic Homology Library” (11JJD740009).
There were no sound adjustments in ancient times, how many sound adjustments are there? Whether the ancient sound adjustment system and “Quicking” are in harmony or development and change, what are the changes in the Baoqiang Webmaster, and what are the differences between the four sounds of specific characters… In order to revolve these questions, ancient musicians have conducted profound discussions since Chen Di in the Ming Dynasty. Today, we believe that there is a voice in ancient times, but there is still a big difference in the more specific problems. Judging from the relationship between ancient music and “Cheyi” sound, each opinion can be divided into two categories: one is consideredThe ancient Ping went up to the four voices, which corresponded to the four voice systems of “Chixing”; one believed that there were two types of Ping and Jin in ancient times, each with its own ease, and it evolved into the four voices of descendants. As for the reasons for the evolution of ancient and modern times, there are two opinions. It is said to be highly important: the scholars who have passed down the ancient and Han language as important research data, and those who have taken the study and study as important methods of learning, explain the sturdy changes from the perspectives of differences in the length of the sound and the drop of the sound of the stopper; scholars who have used a few ethnic languages, Hangyu’s optics as important research data, and use the Oriental History comparison method to believe that the ancient Han language has evolved the past and prescriptions of descendants. Among the two opinions mentioned above, each of them has differences (details). The important information of the ancient four voices is the words of the ancient essay, mainly based on the differences and understanding of the estimated or statistical ratios of each company in the essay and the combination of the four voices in the essay. The percentage points range from ten to twenty, and the difference is large and relatively solid. The above-mentioned problems with the ancient four-voice research are directly related to the path of research and discussions by later generations. Important issues are: First, for the determination of the control of the war, each company should have a standard, but most research studies do not have a specific data, and those with statistical standards have not been found to have detailed discussions on the standard standards. (A common example, the poet is in the Brand meaningThe specific use is very casual, not standard), and there is a difference in harmony level, and there is no focus on it. Data not combined with the standard standard of the calculator are inconsistent. Second, the development situations of various voices in ancient times were not the same. There are differences between flat and up, going, going, going, going, going and going, going and going, going and going, going and going. There are many differences in the sound and voice, and the four voices are also very different. These are more related to the differences in the development and changes of each voice, and they need to be treated and construed separately. Third, the situation is unified with the content, the situation expresses the content, the relationship between the meaning of the poem and the literary situation is directly related to the meaning of the poem and the literary situation, and the study and discussion of the poem cannot be separated from the poem and the comparative and poetic meaning. Fourth, ancient sounds are also related to ancient changes, as well as to form relationships, meaning extensions, and grammatical changes. The above questions have not been raised or have not been paid enough attention to today’s research and discussion. This article will discuss them from these four aspects.
1. The differences between the four voices of ancient times and their origins in the future
(I) The disagreement of the four voices of ancient times
1. Two views: Gu Youping up What are the sounds of ancient Chinese and ancient Chinese? What are their relationships with the four sounds of “Qiwei”? Later generations have discussed the synopsis, and can be divided into two views. One is that the four sounds of ancient Chinese and ancient Chinese are reflected in the four sounds of ancient Chinese and ancient Chinese. Yanwu, Qing Dynasty, 1. JiangYong 2, Wang Niansun 3 and Jiang Youhao 4, contemporary Zhou Zushi 5, Shi Cunzhi 6, He Jiuying 7, Hu An 8 and others are the main points; one thinks that ancient times only have two categories of Ping and Xing (Wang Li said “Shu and Xing”), Ping and Xing have their own stimulation, which evolved into the four voices of descendants. Duan Yucai said: “The ancient four ways of saying “There are two or four, and the two are flat and the advance. If the flat and slightly stern, the higher the advance, the higher the advance. Therefore, the flat and the higher the advance, the higher the advance, and the higher the advance. Therefore, the flat and the higher the advance, and the higher the advance. The lower the advance, and the higher the advance, the higher the advance, and the higher the advance, and the four sounds are formed.” 9 The power of the king is in his foundationBaoqiang.com.cn.com.cn.com.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn.cn. It is also believed that: “In ancient times, there were only two voices, ‘ping’ and ‘go’, which were considered as the length of the sound that was short. After reading ‘ping’ and ‘go’, it was slightly shorter and ‘go’, and reading ‘go’ and ‘go’, it was a little slower and ‘go’. Therefore, the four “ping’ and ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’, ‘go’
